12th Night

12th Night is a period piece dance of the contrast between the diegetic and non diegetic world of the play, and a tale of how the Shakesperian fool was truly the wisest one of them all.

Pictures

Credits

Sound Cue Sheet

1	Preshow	House Opens	Not	Main Arrays	Pre
1.5	Fade Preshow	Before Curtain Speech	Not	Main Arrays	Pre
1.75	Music During Post Curtain Speech Set Transition	After Curtain Speech	Not	Main Arrays	Pre
2	Room Tone Grand Ball	Top Of Show	Diegetic	Voms	Scene 1
3	Fade Out Room Tone	Orsino; After-Line: “Enough, no more”	Not	Voms	Scene 1
4	Ship Splitting Sequence	End of Scene 1	Not	Back of House	Transition
B-1	Ship Splitting Sequence B	A Beat After the Cue 4	Not	Board Cue	Transition
5	Ocean	Top of Scene 2	Diegetic	Back Of House	Scene 2
6	Wave Crash	Viola; On-Line; “My brother he is in Elizium”	Not	Back Of House	Scene 2
7	Fade Ocean	Captain; On-Line; “Yourself were saved”	Not	Back Of House	Scene 2
8	Ocean Back In	Captain: After-Line; “Orsino”	Not	Back of House	Scene 2
9	Fade Ocean	Viola: Before-Line: “There is a fair behavior in thee”	Not	Back of House	Scene 2
10	Gallivanting Transition	End of Scene 2	Not	Main	Transition
11	Room Tone House of Oliva	Top of Scene 3	Diegetic	Backstage Left	Scene 3
B-2	Volume Fade Room Tone	Visual Cue Sir Andrew Offers Maria Hand	Not	Board Cue	Scene 3
B-3	Fade Back In Room Tone House of Oliva	Sir Andrew: On-Line; “Never in your life”	Not	Board Cue	Scene 3
12	Determing Transition	End of Scene	Not	Main	Transition
13	Room Tone Olivia’s Home	Top Of Scene 4	Diegetic	Backstage Right	Scene 4
14	Fade Room Tone	Viola; On-Line; “I think not so my lord”	Not	Backstage Right	Scene 4
15	Festive Theme 1	End of Scene 4	Not	Voms	Transition
16	Fade Transition Music	Top of Scene 5	Not	Voms	Scene 5
17	Room Tone House Of Oliva	Maria; On-Line “your excuse wisely, you were best”	Diegetic	Backstage Right	Scene 5
B-4	Fade Room Tone	Fool; Before-Line “Misprision in the highest degree”	Diegetic	Board Cue	Scene 5
B-5	Fade Back In Room Tone	Festive; After-Line “Take Away the Fool, Gentlemen”	Diegetic	Board Cue	Scene 5
18	Fade Out Room Tone	Maria; Before-Line “Madam, there is at the gate”	Not	Backstage Right	Scene 5
19	Suprising Music	End Of Scene 5	Not	Main	Transition
20	Crowd Crossover	Crowd Crossover	Diegetic	Voms	Scene 6
21	Fade out Crowd Crossover	End of Crowd Crossover	Diegetic	Voms	Scene 6
25	Cheekily Transition	End of Scene 7	Not	Main	Transition
26	Room Tone Andew’s House (Same House as Olivia’s Place)	Top of Scene 8	Diegetic and Not	Voms	Scene 8
B-8	Room Tone Fade Out	Sir Belch; Before-Line; “Let’s have a song”	Diegetic	Board Cue	Scene 8
B-9	Room Tone Fade Back In	Maria; Before-Line “Go shake your ears!”	Diegetic	Board Cue	Scene 8
27	Knightly Transition	End of Scene 8	Not	Main	Transition
28	Room Tone Orsino’s Home	Top of Scene 9	Diegetic	Backstage Right	Scene 9
29	Room Tone Fade	Orsino; After-Line “Come hither Boy”	Not	Backstage Right	Scene 9
29.5	Resolute Music	End of Scene 9	Not	Main	Scene 9
30	Crowd Passing	After Scene Change	Not	Main	Transition
31	Oliva’s Home Atmosphere	Top of Scene 10	Diegetic	Backstage Left	Scene 10
B-10	Fade Room Tone	Maria; After-Line “Liver and all”	Not	Board Cue	Scene 10
B-11	Room Tone Back In	Sir Blech; On-Line; “I could marry you wench for this device”	Not	Board Cue	Scene 10
32	Festive Theme 2	End of Scene 10	Not	Voms	Transition
33	Garden Atmospheric	Top of Scene 11	Diegetic	Main	Scene 11
34	Bird Sounds	Festive; On-Line; “Very Rascals”	Diegetic	Main	Scene 11
35	Bird SOunds	Festive; On-Line; “till she be married”	Diegetic	Main	Scene 11
36	Bird Sounds	Festive; After-Line; “Lady is within, sir”	Diegetic	Main	Scene 11
37	Bird Sounds	Sir Andrew; “Odors, pregnant, and vouchsafed”	Diegetic	Main	Scene 11
38	Garden Atmospheric Fade	Oliva; “Let the Garden door be shut”	Not	Main	Scene 11
Int	Intermision	End of Scene 12	Not	Main	Intermission
43	Garden Atmospheric	Top of Scene 1	Diegetic	Backstage Left	Scene 1
44	Bird Sounds	Malvolio; After-Line; “Sweet Lady, ho, ho”	Diegetic	Backstage Left	Scene 1
45	Bird Sounds	Malvolio; After-Line; “and I’ll come to thee”	Diegetic	Backstage Left	Scene 1
46	Birds Sounds	Malvolio; After-Line; “thrust upon them”	Diegetic	Backstage Left	Scene 1
47	Bird Sounds	Toby; On-Line; “how dost y chuck?”	Diegetic	Backstage Left	Scene 1
B-12	Fade Garden Atmospheric	Maria; After-Line; More matter for a May morning"	Not	Board Cue	Scene 1
B-13	Garden Atmospheric Back In	Sir Belch; On-Line; “Andrew Ague- cheek”	Not	Board Cue	Scene 1
B-14	Fade Garden Atmospheric	Sir Belch; Before-Line; “Now will not I deliver”	Not	Board Cue	Scene 1
B-15	Garden Atmospheric Back In	Maria; After-Line; “presently after him”	Not	Board Cue	Scene 1
B-16	Fade Garden Atmospheric	Viola; Before-Line; “Pray you ma’am”	Not	Board Cue	Scene 1
B-17	Gardent Atmospheric Back in	Viola; After-Line; “much of my mettle”	Not	Board Cue	Scene 1
B-18	Fade Garden Atmospheric	Sir Andrew; On-Line; “I’d have challeng’d him”	Not	Board Cue	Scene 1
B-19	Gardent Atmospheric Back in	Antonio; On-Line; “Im ust entreat of you some of that money”	Not	Board Cue	Scene 1
51	Sir Topas Theme	End of Scene 2	Not	Voms	Transition
52	Garden Atmosphere	Top of Scene 3	Diegetic	Main	Scene 3
B-20	Fade Garden	Maria; After-Line “he sees thee not”	Diegetic	Board Cue	Scene 3
B-21	Garden Atmosphere Fade Back In	Sir Blech; After-Line; “by and by to my Chamber”	Diegetic	Board Cue	Scene 3
53	Hostile Transition	End of Scene 3	Not	Main	Transition
54	Fade Transition Music	Top of Scene 4	Not	Main	Scene 4
Cur	Curtain Call/House Exit	After Feste’s Final Song Moment Concludes	Not	Main	Post

12th Night

Eastern Florida State College Studio Theatre