Rope

The Museum is a people watching look watch at the setting of an art museum. In this museum the exhibits are not the true art. The guest are. In a living museum inspired take the guests are alive when the light shines down from the artistic heavens upon them where as the part of the stage where the action is not taking placed is flooded in a land of darkness reflecting an idea that a museum is only truly alive through the guests that are within it when it is night time and no one beyond the guards are in a museum the museum is not truly alive. The exhibits themselves are lit up using floor light as to make themselves separate from the guests who are truly the centerpiece of the show. The end of the exhibition marks the museum returning to the normalcy realistic museum the museum is normally is. Purged of the interesting guests and magnificent art whose dance of a life is a wonder to behold.

Lighting Cue Sheet

CUE #	SONG/SCENE	CUECOUNT	TRIGGER	DESCRIPTION	NOTES	PG #
1	No Photographing Without Permission From The Director	8 Second Fade	Top Of Show	A Dim Special On the the Titular Guard Who is a Centerpiece of the Entire Show		9

2	No Photographing Without Permission From The Director	0 Seconds	End of Voice Recording From the Voice	A Flash From Michael Wall’s Camera		9

3	No Photographing Without Permission From The Director	2 Seconds Fade	End of Lighting Cue #2	Two Separate light pools. One on Michael Wall and one on the Guard showing the disconnection in communication between the two as they have their conversation		10

4	No Photographing Without Permission From The Director	3 Second Fade	The Guard; on line; “They wear tennis shorts to church”	The Light Pool around the Guard Increases; The Light Pool that Once Was around Michael Wall Dimns Out		11

5	No Photographing Without Permission From The Director	0 Second Series of Camera Flashes	The Guard; after line; “They bring flash cameras to museums…”	Michael Wall Starts circling the guard taking flash photo after flash photo of the guard		11

6	The French Couple	3 Second Fade	French Couple Enters	Light Out on Michael Wall and Guard Light on Francoise, Jean-Claude and the exhibits they are looking at		12

7	The French Couple	1 Second Fade	Jean-Calude; after line; “Francoise je t’adore!”	Lights Out on French Couple and Art Work Lights On Michael Wall and Guard		13

8	The French Couple Two	1 Second Fade	Michael Wall Exits	Light Up Around Art Work, Lights Up around French Couple, Guards Light Pool Shrinks		14

9	The French Couple Two	2 Second Fade	Francoise; after line; “Eh? Eh?”	Light Pool around Guard Grows to Make Room For French Couple. Light Pool that once was separate around French Couple Goes Out		15

10	Colonial Quilts and Weathervanes 1	2 Second Fade	Annette Froebel Enters	Light Pool around Guard Grows even more to make room for Annette Froebel		15

11	College Girl Trio	5 Second Fade	Liz, Carol, and Blakey Enter	New Light pool for college girl trio. Light pool around guard disappears.		16

12	College Girl Trio	3 Second Fade	Liz; on line; “Carol, Blakey, guys, YOU’RE GOING TO LOVE HIM!”	Light Up on Museum Work		16

13	College Girl Trio	1 Second Fade	After Blakey Touchs Work	Light Pool Up on Guard		18

14	College Girl Trio	1 Second Fade	Blakey; after line; “It’s Fantastic!”	Intensity Up On Guard’s Light Pool		18

15	College Girl Trio	1 Second Fade	Liz; after line “Look at his handling of perspective…”	Light Pool Up on French Couple. Light Pool Out on Guard and College Trio.		19

16	College Girl Trio	1 Second Fade	Francoise; after line; “Cheri”	Light Pool Out on French Couple. Up on College Trio		20

17	Colonial Quilts and Weathervanes 2	2 Second Fade	Mr. Hollingsford Enters	Decent Size Light Pool Around Guard the Mr. Hollingsford rushes into. Light Out on Everything Else	Same as previous look where guest asked for this information	21

18	I Got Permission	2 Second Fade	Michael Wall Enters	Light Up Around Michael Wall		21

19	Terror of College Trio	1 Second Fade	Mr. Hollingsford Exits	Light Up Around College Trio & Exhibits		22

20	Hidden World	6 Second Fade	Elizabeth Sorrow and Peter Ziff Enter	Individual Lights Out. Somber Wash Over Stage		23

21	The Salts Recording	4 Second Fade	Mr. and Ms. Salt Enter	Dull Mood Wash		24

22	The Salts Recording	1 Second Fade	Voice Recording; after-line; “to the left of the checkroom”	Wash Out. Pool on French Couple and Lights on Exhibits.		25

23	Colonial Quilts and Weathervanes 3	3 Second Fade	Enters Maggie Snow	Everything Out. Pool Around Guard and Maggie Snow On.	Same as previous look where guest asked for this information but with more chaotic tone	26

24	Experienced Duo	2 Second Fade	Enters Bob Lamb and Will Willard	Pool Around the Duo		26

25	Yet Another Photographer	4 Second Fade	Enters Fred Izumi	Individual lights out. A Poliet Wash	A poliet wash as if Fred Izumi knows all that is transpiring at this museum	27

26	Yet Another Photographer	1 Second Fade	Exits Fred Izumi	Wash Out. Individual Pool on Experienced Duo		28

27	Yet Another Photographer	1 Second Fade	Renters Fred Izumi	Individual Pool Out. Wash On		29

28	Yet Another Photographer	1 Second Fade	Fred Izumi Exits Again	Wash Out. Individual Pool on Experienced Duo		29

29	Engagement Calendars	1 Minute Fade	Enters Miral Zadal	Pool on Experienced Duo Out. Pool On Guard and Mira Zadal on		30

30	Gracious Entrance	2 Minute Fade	Enter Barbara Zimmer and Barbara Castle	A wash that has a very royal feeling to it		31

31	Gracious Entrance	3 Second Fade	Barabara Castle; after line; “and disappearing round the bend!”	Special on Guard		36

32	Gracious Entrance	3 Second Fade	Guard’s Dance Done	Royal Wash		36

33	Noisy Entrance	2 Second Fade	Mr. Gregory Enters	Wash of Irritation		36

34	Guests on Display	1 Second Fade	Peter Ziff Exits	Pool of Light on Each of the Remaining Guests		38

35	A Special Tour	2 Second Fade	Chlore Trapp and Ada Bilditsky Enter	Light Pool Around Chole Trap and Ada Bildiltsky, Light Up On Exhibits. Light Goes Out On Everything Else		41

36	A Special Tour	1 Seconds Fade	Ada Bildistky; after line; “I’m so grateful!”	Light Pool Around Chole Grows. Individual Light On The Guard Seperating Him From Chole and Chloe’s Fan Group		41

37	A Special Tour	1 Second Fade	Chole Trapp; on line; " picture support…painted white?!"	Individual Light Pol Around Chole and the Group Out. Rainbow Chase Special Effect Washing Stage, Guard Still has pool of Light on Him.		42

38	A Special Tour	3 Second Fade	Mr. Gregory; after line; “Saffron!”	Special on Piece of Moe’s Work		43

39	Director’s Daugheter	2 Second Fade	Enter Gilda Norris	Special Out, Light Pool Up on Guard and Gilda Norris, Light Up on Museum Exhibits		44

40	Director’s Daugheter	1 Second Fade	Guard; On Line; (Laughs, with embarrassement)	Light Pool Up On Experienced Couple, Light Pool Out On Guard and Gilda Norris		44

41	The Beginning of The End	1 Second Fade	Experienced Duo Exits	Light Pool Up on Gracious Duo, Light Pool Out On Experience Couple		46

42	The Beginning of The End	1 Second Fade	Mr. Gregory’s Tour Suddenly Goes Besserk	Light Pool Out On Gracious Duo, Light Pool Up on Mr. Gregory		47

43	Friends Of the Aritst	2 Second Fade	Tink Solheim and Kate Siv Enter	Light Pool on Tink Solheim, and Kate Siv, Light Up On Exhibits, Light Out On Everything Else		48

44	Friends Of The Artist	2 Second Fade	Guard Enters	Light Up on Guard		48

45	Horrible Mixup	2 Second Fade	Chloe Trapp and Bill Plaid Enters	Out Lights Out. Light up Chloe Trapp & Bill Plaid. Lights up on Exhibitions		49

46	Horrible Mixup	1 Second fade	Chloe Trapp; afterline; “variations of color and scale”	Lights Up on Tink Solheim		50

47	Horrible Mixup	1 Second Fade	Bill Plaid; afterline; Screams	Lights Up on The Guard		50

48	Horrible Mixup	2 Second Fade	Kate Siv; online; “What….ARE…YOU…DOING?	Wash of Viciousness		51

49	Horrible Mixup	5 Second Fade	Think Solheim; online; “Anges Vaag’s breath reeks!”	Wash of Uncertain Calm		55

50	Laughing Ladies	2 Second Fade	Enters Lillian, Harriet, and May	Lights Up around Lillian, Harriet, and May. Lights Up on Exhibits. Lights off on Everything Else.		55

51	Laughing Laides	1 Second Fade	Lillian; after line; “Sidney Rubin Gallery”	Light Pool Up Around Guard and Bill Plaid		56

52	Laughing Ladies	1 Second Fade	Guard Drags Bill Plaid Out	Light Pool Off Around Guard and Billy Plaid		56

53	Laughing Ladies	1 Second	Harriet; on line; “Me too, the first one’s better”	Light Pool On Around Guard		57

54	Laughing Ladies	4 Second Fade	The Guard; after line; “You’re disturbing the other visitors in the gallery”	Acting Area and thus Light Pool area for Laughing Ladies Changes (light pool large enough for the guard to eventually enter it), Light Pool Off Around The Guard		57

55	Laughing Ladies	1 Second Fade	May; after line; " the line like little rockets…”	Light Pool On Tink Solheim		59

56	Laughing Ladies	1 Second Fade	Tink Solheim; after line “FIND IT ON THE LAST DAY!”	All Other Lights Off; Special On Guard		60

57	Laughing Ladies	5 Second Fade	Laughing Ladies Exit	Stage Washed in Wash of Longing. The longing of the Guard to Be done with this hellish day at the museum		60

58	Polished Couple	2 Second Fade	Enter Giorgio and Zoe	All Existing Lights Off except on the guard. Light Pool On Giorgio and Zoe. Light On Exibits		60

59	Polished Couple	2 Second Fade	Julie Jenkins Enters	Light Pool On Julie Jenkins		61

60	Polished Couple	Special Sequence	Tink Solheim Activates Hidden Switch On Pedistal	Babylon Rage Special Sequence	Holy Wars of Babylon Rage Through the Night	64

61	Polished Couple	2 Second Fade	Think Solheim; before line; “It was worth it”	Wash of Awe on Stage		65

62	Other Guards Show Up	8 Second Fade	First and Second Guard Enter	Wash of Light. Light Shining Through Window Gobo. What Light Is Like on a usual basis.	What the museum is like on a day to day basis. The guests are not an ehibit for this moment this is just a usal museumn.	65

63	Artist Shows Up	5 Second Fade	Steve Williams Enters	Special on Steve Williams. Usual Look of Museum Out		72

64	Aritst Shows Up	3 Second Fade	Steve Williams Rearages the Work	Light On Exhibit		73

65	Artist Shows Up	3 Second Fade	Giorgio; before line; “Steve Williams was born”	Light Pool on Giorgio		73

66	Aritist Shows Up		Steve Williams Exhitis	Wash of Usual Museum, Window Light with Gobo, Same As For Guard Moment	The Usual Look of the Day to Day Museum the guests are no longer an exibit. Final Gaze of the Museum Before it is destroyed.	73

Light Analysis https://docs.google.com/spreadsheets/d/1K_iMWBJGRY8LSLxFEbjZ5f7ocvrttWzG/edit?usp=sharing&ouid=103204069024948388597&rtpof=true&sd=true

Design Concept Powerpoint https://docs.google.com/presentation/d/1miP6MWIgHgFhx6XrtwBsktOjuzdHpnon/edit?usp=sharing&ouid=103204069024948388597&rtpof=true&sd=true

Color Key https://drive.google.com/file/d/1Dztj_li8Evf2s47jgnbUr0-1D106Chkd/view?usp=sharing

Light Plot https://drive.google.com/file/d/1bd3OVWqffuRVhCe29SfoETStutdy8c6O/view?usp=sharing

https://drive.google.com/file/d/11etYxu8EG7Q59-a2JI3D8ebHEGwyj5o5/view?usp=sharing

https://drive.google.com/file/d/1bT3-cRzRBSSApMcXke-fIE-gTbxmW-gQ/view?usp=sharing

https://drive.google.com/file/d/1M7OHneJZI1KPOVp7VMlKiBIFNAqDzu_0/view?usp=sharing