Select a lighting designer or inventor/contributor for stage lighting whose work inspires you. Please write a short paragraph describing the person and why you chose them. Create sketches and written notations of the light’s direction, color, and textures in the painting. Upload photos of the person’s work, drawings, and notations to your ePortfolio.
Tyler Micoleau
I choose the lighting designer Tyler Micoleau in question since several of there works have always stood out to me personally when seeing photos of them in the past. Specifically their work on a production of Be More Chill and Into the Woods. They are great at recontexualizing and bringing to life the beauty of fantastical locations using their lighting design.
Tyler is a lighting design from Brooklyn who is Tony award winning. His works on broadway include Buena Vista Social Club, Be More Chill, American Buffalo, and Into the Woods. He has worked at other New York and regisonal theatree. He has designed for Theatre, Opera, and Dance. He was on faculty at Sarah Lawrence College, visiting artist at Darthmouth, Yale, Bates, and Rutgers. His educational bacgrkound is from Bowdoin
https://www.tylermicoleau.com/portfolio/
“Home.” Tyler Micoleau, 6 July 2025, www.tylermicoleau.com/.

Side of stage has bar lights on them creating pools of lights
Lighting helps to create a monoocramatic look
Figure lit from cross back Lighting
The Lights have to create a swirling highlight effect on stage
Negative space plus figure cast in shadow
Light beams highlighted through the use of haze
This look overall helps to highlights the effect of the SQUIP technilogical takeover of everyone in the play

Sunset created using cyc lights. Sunset goes from a gradiant of organge to red to purple of blue
Some trees are cast in shadow while others are highlighted
Orchestra cast in shadow
Creating the sunset helps to highlight the timeline the baker and bakers wife our on in the story. While the shadow and highlight helps to capture the complex nature of the titular woods. All of this coming together in the finale number of Act 1 or 2 where stuff is almost wrapped up until the beanstalk grows or cinderella makes another wish.

Negative space cast in shadow.
Upstage and downstage corner of the table cast in shadow. Center of table cast in highlight.
All figures on the stage visible.
Floor closest to the set visible. But it is cast in shadow the further you get away from it
This look helps to highlight the community of Anatevka comming together