From Tom To Tennessee
From Tom To Tennessee is a tour through the sounds of a 1930s New Orleans as we take a look into society in this time at large and the inside lives of the characters including the part of the character’s inner sound scapes that they might not even share with those around them.
Pictures
Credits
Eastern Florida State College Studio Theatre
Director: Selena Ambush
Technical Director: Paul McKee
Stage Manager and Properties Designer: Grace Ferguson
Sound Designer: Two Kearns
Set Designer: Lilly Hastings
Lighting Designer: Alyssa Barrack
Costumes: Alix Banks, Isabel Fuentes
Speaker Diagram
Sound Cue Sheet
| Cue# | Cue Name | Cue Line | Speaker | Notes |
|---|---|---|---|---|
| Pre | Preshow | Downstage Right and Left | ||
| Pre2 | Control Cue(Announcement) | Downstage Right and Left | ||
| 1 | Carhorn | Paridise:“full of our singing-” | Downstage Right | |
| T1 | Scene Change Music 1 | Scene Change Mister Paridise To Why Do You Smoke So Much Lilly | Downstage Right and Left | |
| T1B | Control Cue(Scene Change Music) | Scene Change Ends | Downstage Right and Left | |
| Practical 1 | Phone Ringing | Yorke:“Lilly, Honestly if you…” | Practical | |
| 10 | VoiceSam | Lilly Sits Down in Chair | Downstage Right and Left | |
| 11 | VoiceGram | Lilly:“I’ve gone Crazy” | Downstage Right and Left | |
| 12 | Control Cue(Gameshow Music) | When Gram’s Voice Lines are Finished | Downstage Right and left | |
| 13 | VoiceGeo | Lilly Sits down to smoke | Downstage Right and Left | |
| T2 | Scene Change Music 2 | Scene Change Why Do You Smoke So Much Lilly to Auto-De-Fe | Downstage Right and Left | |
| Practical 2 | Guitar | Eloi:“I have good precedence for it” | Practical | |
| Practical 3 | Guitar | Eloi:“You just don’t know” | Practical | |
| Practical 4 | Guitar | Eloi:“She keeps a journal of everything said in this house” | Practical | |
| Practical 5 | Guitar | Duvenet:“You haven’t reported it to the authorites yet” | Practical | |
| Practical 6 | Guitar | Eloi:“I’ve got to do something” | Practical | |
| Practical 7 | Scream | Duvenet:“Open the screen door please; followed by Eloi’s Grunt” | Practical | Gram Grunts; Alix as Miss Bordelon Scream |
| 20 | Fire | A Beat after the Scream | All Speakers | Needs to be hit on both files |
| 21 | Control Cue(Fire) | Auto-De-Fe Ends | All Speakers | Needs to be hit on both files |
| 22 | Control Cue(Transition) | 10 Count After Auto-De-Fe Ends | All Speakers | Needs to be hit on both files |
| 31 | Control Cue(Rain) | Women:“afterwards was a busy signal” | Upstage Center | |
| 32 | Control Cue(Rain) | Man:“articles-clothing-scattered” | Upstage Center | |
| 33 | Control Cue(Rain) | Women:“oh” | Upstage Center | |
| 34 | Control Cue(Rain) | Man:“I am lost in this city” | Upstage Center | |
| 35 | Control Cue(Rain) | Man:“Well Talk to Me Like the rain and -let me listen” | Upstage Center | |
| 36 | Control Cue(Rain) | Women:“alone” | Upstage Center | |
| 37 | Control Cue(Rain) | 5 count after Women’s alone | Upstage Center | |
| Int | Intermission | Downstage Right and Left | ||
| 60 | Control Cue(Transition) | Audience seated intermission offically ends | Downstage Right and Left | |
| 61 | Control Cue(Film Underscore) | After 20 seconds of Entrance Music are Over | Downstage Right and Left | |
| 62 | Film 1 | Gladys Exits | Downstage Right and Left | |
| 63 | Control Cue(Film Underscore) | When Film1’s voice lines are done | Downstage Right and Left | |
| 64 | Film Underscore | Carl:“babies is a sin” | Downstage Right and Left | |
| 65 | Film2 | Carl:“scene I told you about. Look” | Downstage Right and Left | |
| 66 | Control Cue(Film Underscore) | Carl:“Was that somebody” | Downstage Right and Left | |
| 67 | Film Underscore | Carl’s Exit | Downstage Right and Left | |
| 68 | Control Cue(Film Underscore) | Gladys:“Did you see my” | Downstage Right and Left | |
| 69 | Film Underscore | Gladys:“Opposite Types” | Downstage Right and Left | |
| 70 | Control Cue(Film Underscore) | Boy:No No, I work here | Downstage Right and Left | |
| 72 | Police Sirens | Cashier Enters | Downstage Right and Left | |
| 71 | Film 3 | Gladys:“know how to have it” | Downstage Right and Left | |
| 73 | Film Underscore | Scene Change Between Those are the Stairs and Summer at the Lake | Downstage Right and Left | |
| 80 | Clock | Donald Exits | Downstage Right and Left | |
| 81 | Control Cue(Clock) | Sam Starts to Exit Offstage | Downstage Right | |
| 82 | Control Cue(Clock) | Fenway:“I can still hear it ticking” | Downstage Right | |
| 83 | Control Cue(Clock) | Fenway:“quick before he-Donald” | Downstage Right | |
| T3 | Scene Change Music | Scene Change Between Summer at the Lake and Muncipal | Upstage Center | |
| T3B | Control Cue(Transition) | Scene Change Ends | Upstage Center | |
| 91 | Control Cue(Parade) | Clerk:“I’ve been ordered to the Muncipal Abattoir” | Upstage Center | |
| 92 | Control Cue(Parade) | Youth:“Hear the Procession Comming” | Upstage Center | |
| 93 | Control Cue(Parade) | Youth:“saint, matyr and hero” | Upstage Center | |
| 94 | Control Cue(Parade) | Clerk drops the gun | Upstage Center | |
| T4 | Scene Change Music | Scene change between Muncipal and Property Condemmed | Upstage Center | |
| T4B | Control Cue(Scene Change Music) | Scene change ends | Upstage Center | |
| 100 | Train | Willie:“everything went to pieces” | Upstage Center | |
| 101 | Train | Upstage Center | ||
| Curtain | Curtain Call/House Exit | Downstage Right and Left |
Play that were part of the night of One Acts
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Mister Paradise
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Why Do You Smoke So Much Lilly
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Auto De Fe
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Talk To Me Like the Rain
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These Are The Stairs You Have To Watch
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Summer At The Lake
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The Municipal Abiator
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This Property Is Condemned